Amarist Studio, in collaboration with sculptor Alejandro Monge, has unveiled a provocative piece titled "Too Much? II". This artwork challenges viewers to reflect on the ephemeral nature of money and its true value in contemporary society.

The centerpiece of this creation is a concrete structure housing a glass urn that encases a meticulously crafted pyramid of 50-euro banknotes. These notes are not genuine currency but are expertly reproduced using sculpting resins, paper, and paint to achieve a hyper-realistic appearance. The illusion is so convincing that it compels observers to question the authenticity of the bills.

Adding to the visual impact, a real flame emerges from the apex of the pyramid, simulating the combustion of the banknotes. This element serves as a powerful metaphor for the volatility and transient nature of wealth, prompting viewers to contemplate the significance they place on material possessions.

Functionally, "Too Much? II" doubles as a coffee table, seamlessly blending art with utility. Its substantial dimensions—standing at 40 cm in height and measuring 120 cm in both length and width—make it a commanding presence in any space. The piece weighs approximately 150 kg, underscoring its solid construction and the weighty themes it embodies.

Amarist Studio and Alejandro Monge have a history of creating thought-provoking art that merges design with social commentary. Their previous collaboration, the original "Too Much?" table, similarly explored themes of wealth and value, featuring a glass cube filled with simulated burning banknotes and a biofuel flame rising above its surface.

By integrating a real flame and hyper-realistic elements, "Too Much? II" transcends traditional art forms, inviting viewers to engage in a dialogue about the impermanence of money and the true essence of value. It stands as a testament to the artists' ability to provoke introspection through innovative design.